(Written by Martha S.)
I wanted to follow up our episode on news media with a short discussion of why I picked the topic to begin with. As I have said on the podcast many times, I’m a librarian, and specifically I am a teen services librarian. One of the foundations of my profession is providing access to, and helping people find, reliable information, a principle which is more important than ever these days and particularly for teens, who are far less likely to go beyond their curated social media feeds to find alternate or corroborative sources of information. Teaching information literacy is no longer optional for librarians, it is a necessity. Because of that, I thought it would be useful for us to look at how pop culture presents the news and journalism, and how we react to that.
This past Saturday, Melissa McCarthy returned to SNL to reprise her role as Sean Spicer. Her portrayal has been brilliant, I think it’s fair to say, and highlighted something about the way Spicer is dealing with his role as the disseminator of information for an administration that tells us nothing but lies: hostilely. Spicer, and our current White House, are our antagonists, and they are helping foster a culture of distrust and skepticism when it comes to the news. Our first reaction is to assume that he’s lying (because he is).
One of the things I thought was striking about all the homework we talked about in this episode was that the news sources in them are treated first and foremost as being trustworthy, and then only later shown not to be: CJ is a trustworthy source of information, which is how she gets away with sidelining stories that should be a bigger deal. The Daily Prophet can spread misinformation about Harry Potter because it has a reputation for telling the truth. No one questions Glass’ articles because the New Republic has a good reputation. When we find out those things aren’t true (in the case of The West Wing, we see this develop over the course of the episode), we are meant to feel betrayed. This isn’t how the news is supposed to work! And yet, it does, and recently, it does often and without shame.
Anyway, I don’t really have any more profound thoughts than that I’m sad that our news media culture has turned into one of distrust and hostility. I don’t think it’s new, clearly news has always been a cultivated experience for us so that the people in charge can control the way the population thinks and feels about things (which sounds WAY more 1984 than I thought it would, yikes). I hope some day we get back to a place where I can read a headline and not feel the urge to cross-check in on four other sites, if for no other reason than that I don’t have time for that every day.
Lois Lane: Fallout
The first Lois Lane YA novel by Gwenda Bond, this series follows a teenage Lois as she investigates and exposes scandals for her high school newspaper. Clark Kent shows up only occasionally as a texting partner for Lois to bounce ideas off of, which is really the best use for Clark. I mentioned (awkwardly) in the episode that the relationship between journalism and superheroes is fascinating to me, and it’s fun to read about one of comics’ most famous journalists in her nascent teenage years.
Wag the Dog
A 1997 film directed by Barry Levinson that shows some truly epic misdirection from a president’s shenanigans (Dustin Hoffman invents a war in actual 1984 style to take attention away from a president’s sex scandal, and oh man do I wish that our president would actually be punished for a sex scandal to the magnitude that would necessitate a fake media war).
“Waiting on the World to Change” by John Mayer
Political music was something we didn’t really have a chance to touch on in the episode, and maybe that’s because it wasn’t totally germane to the conversation. Music, after all, doesn’t really get used as a delivery tool for news – it can’t be timely enough. The closest it gets, I think, is as a way for musicians to enter the news conversation; it’s commentary on the environment rather than an informative source itself. But I appreciate deeply the lyrics from this song (despite not being a huge fan of John Mayer), particularly the lines “And when you trust your television/ What you get is what you got/ But when they own the information/ they can bend it all they want.”