The homework for the episode:
Pete: The Wicked + the Divine, vol. 1: The Faust Act, by Jamie McKelvie and Kieron Gillen
Martha: Uglies by Scott Westerfeld
Sarah: Fright Night, 1985 film directed by Tom Holland and starring Chris Sarandon, William Ragsdale, and Amanda Bearse
We are joined for this episode by friend of the show Sarah Caputo! Welcome, Sarah!
We’ve talked about identity and character growth, and now we discuss Transformation and all the ways it changes us (heh). We have some feelings about character agency, the virtues of self-driven transformation vs. the non-consensual kind, and the use of metaphor, among others – and can we just say a special Thank You to Sarah for getting us to watch this masterpiece of 80’s camp horror?
Your podcasters’ credentials:
Pete: Political blog posts linked from Twitter (like this one)
Martha: Animal Crossing Pocket Camp on mobile
Sarah: Live show from Maria Bamford
Pete is reading about depressing political stuff as per usual, but it does sound like his reading would be helpful to anyone trying to lie to the FBI (spoiler alert: don’t). Martha has once again been drawn into the seductive world of mobile gaming with the new Animal Crossing property, while Sarah, the lucky duck, got to experience Maria Bamford LIVE and IN PERSON.
We go a little long in this episode – I would apologize, but we got very swept up in the discussion of character agency, and that is a topic I (Martha) could discuss FOREVER. So be glad we didn’t go EVEN MORE longer! Anyway, in this episode we discuss the following broad questions:
- How do the characters in our homework transform? How do their physical, emotional or mental transformations inform their characters and character growth?
- Are these character transformations metaphors or stand-ins for anything? If so, what are they representing?
- What difference does self-induced vs. non-consensual transformation make to our characters?
We get a bit in the weeds on this one, but only in the most interesting ways, I promise. Our homework subjects run the gamut from pop stars to vampires to plastic surgery-obsessed teenagers, which makes for some extremely interesting parallels. Martha gets to blow Pete’s mind when she informs him that Uglies was written in 2005, paving the way for basically all dystopian supergirl fiction. We all get super excited about Fright Night because let’s be real, Prince Humperdink playing a vampire named Jerry is basically the best thing ever. We also get deep into a discussion about character agency and where the line is between agency and compulsion.
On December 20, we are joined by friend of the show Caitlin Flynn to discuss the (poorly worded, perhaps) topic of Moments of Character Transcendence. Our homework:
Martha: The Wee Free Men, 2003 novel by Terry Pratchett
Pete: Serenity, 2005 film directed by Joss Whedon and starring Nathan Fillion, Alan Tudyck, and others
Caitlin: Wynonna Earp, 2016 TV show, episodes 1.02 (“Keep the Home Fires Burning”) and 2.12 (“I Hope You Dance”)
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